Fresh colors from the road.
Last capture 2 months ago.
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Color compressed into a pixel.
Decompressed in your hands.
Every color in Unichrome is sampled from a real-world object — a silo at low tide, a weathered brick wall, a flower that won’t bloom again next year. We pull the true color through our own process, then photograph the thing it came from so the color never loses its source.
The prints are made at a local shop close to where the color was collected. About sixty cents of every dollar spent locally stays local. That matters to us.
In the archive, color comes from the object, not the photograph.
I sample color from the thing itself — a petal, a weathered board, the iron on a century bridge. The photograph sits beside the color as a witness to the place, not as the source. That distinction governs the archive. Personal color work uses a separate confidence model: in-person sensor reads first, remote photos second, never collapsed into the same claim.
Read the method →One reading. Yours to reuse.
Get your Unichrome ID — the season and signature colors that actually work with you, so you stop buying the ones that don’t. Free to start from your photos, and yours to carry forward.
Get your colorsEvery two weeks. Usually a color. Sometimes a place.
